Stacey

 

Let’s Hear it for the New Kids on the Block!

Oh, oh, oh, oh, oh

Oh, oh, oh, oh

Oh, oh, oh, oh, oh

The right stuff!

Gotcha!  Just kidding!  I’m not actually talking about 80’s boy band New Kids on the Block… although being the cheesy chick I am, I can see how you mighthave thought that’s who I was referring to.  Nope, even I’m not that bad.  By “new kids,” I am referring to IDW’s recent launch of new titles that either introduce all new characters or use tried and true literary and mythology characters in a unique and clever way.  In an age where we see the never-ending progression of classic characters from both Marvel and DC, it’s nice to see a smaller imprint publisher take a chance with completely original fare.  Not that there’s anything wrong with the likes of Superman, Green Lantern, Wolverine, Spiderman and the list goes on and on.  I love me some Captain America, but come on, Jean Grey has been reborn, like, a million times.  I’m just sayin’…

IDW’s new titles are all very different in tone and offer a little something for everyone depending on your taste.  Let’s review, shall we?

  • “Kill Shakespeare” (writers: Conor McCreery, Anthony del Col, artist: Andy Belanger) is a dark interpretation of what would happen if the bard’s best known characters were pitted against  each other while on a quest to kill their creator, the  most famous poet of all time.  To start this tale,  Richard III sends Hamlet on a mission to kill  Shakespeare – a daunting task that can only be  accomplished by stealing his quill.  Sounds kinda easy,  right?  Nope, cause the oops-I-made-a-mistake-Prince  is about to meet up with some pretty interesting peeps along the way in the form of Iago, Puck, Romeo, Juliet and other Shakespearean classics.  This book is fun and made me feel much smarter than usual because I started remembering storylines from all of the Shakespeare I studied in college.  And anything that makes me all intellectual but is still a comic is all right in my book.  Two issues in and I’m ready for more… too bad we have to wait until July for the third (insert pouty face here), but for those of you who haven’t gotten a chance to read it yet, go catch up now.
  • “Pantheon” (writers: Michael Chiklis, Marc Andreyko artist: Stephen Molnar) – yes, that’s the same Michael Chiklis of “The Shield” fame.   And if you weren’t sure, just take a look at the cool cover art. “Pantheon” is the story of a crazy scenario – what if Zeus and the Greek Gods returned to Earth because man has nearly destroyed the planet by ravaging it to almost nothing?  Hmm, that actually doesn’t sound too far-fetched these days.  Well, the Earth part at least.  But yeah, they’d be so pissed.  And in “Pantheon,” Zeus is way pissed, people.  The dude is hopping mad as black-market treasure hunter Hamilton Finch figures out when he runs into Zeus in Old Miami, a destroyed version of the Florida city in the not-too-distant future.  “Pantheon” does a great job of setting the stage for things we sadly can all envision happening one day – mankind has almost ruined every resource on Earth when oil is discovered in Greece.  On the day of the ground-breaking, a terrorist bomb detonates and a crisis has begun.  Meanwhile, on the other side of the globe, thieving artifact dealers are preparing to steal relics from Old Miami until Zeus steps in and introduces himself.  I love the use of Greek mythological characters and look forward to seeing how the story develops.  This too made me feel all smart and literary, so I’m in.
  • “Wire Hangers” (writer and artist: Alan Robert) is a creepy, gory tale underscored with the infinite sadness of its lead character.  Written and illustrated by rocker Alan Robert of Life of Agony,  “Wire Hangers” is IDW’s latest foray into the horror  genre.  The story begins when ballsy news reporter  Anna Davis goes undercover to investigate a series of  abductions in New York City in which the perpetrator  leaves a disturbing calling card.  Just when she thinks  she’s gotten an exclusive like no other, things take an  incredibly bad turn for the worse.  As Anna fights for her life, a scary, disfigured man descends upon the scene and she soon finds herself thrown into a dark world of government conspiracy, corrupt law enforcement, and grotesque murder.  Um, gulp.  Maybe she’s re-thinking that balls-out undercover thing she just did.  Well, too late now, honey.  Blood, and corruption and nightmares, oh my!  I’m so there.  Tell me more…. But if I could make one suggestion, it would be this – with only two issues into the series, I’m already starting to find it hard to keep the story straight and tell the difference between all of the characters.  It might be time to take a breather, not cram so much story into each issue and use the opportunity to allow the art to really distinguish the look of all of the main peeps.  Not a criticism, but just a thought so readers like myself don’t get lost on the journey and can really commit to the story.
  • “The Pilgrim” (writer: Mark Ryan, artist: Mike Grell.)  What’s cool about “The Pilgrim” is its use of history to tell a story and make it relevant to current issues.  Writer Mark Ryan has been noodling on the idea for over fifteen years when he first read about psychic experimentsconducted by the Nazis and Brits back in World War II.  In “The Pilgrim,” modern day military peeps have gone back to the same type of experimentation where they use clairvoyants to help them identify war criminals from the wars in Afghanistan and Iraq.  I’m still a little unclear as to what or who “The Pilgrim” actually is within the story, but I’m intrigued enough to keep reading because the first issue had a vaguely reminiscent callback to the underlying story in Stephen King’s “Firestarter,” a book and movie I still love till this day.  And wouldn’t it be cool if we could just round up a few psychics, throw them in a machine and use them to help us find that rascally Osama bin Laden?   Think of how much easier that would be!  Dare to dream, folks, and maybe “The Pilgrim” will fill that fantasy void for us.  I’m staying tuned for now.

So there you have it, four new titles that are definitely worth checking out.  As avid comic readers, I hope all of you give at least one book a chance.  Let’s give a big round of applause to IDW for taking a chance on some newbies and let’s support them in their endeavor.  Taking a chance on originality should always be rewarded.  Cause if you don’t, I might have to start playing some actual NKOTB.  And no one wants to hear that.

(P.S. Fellow comic peeps, follow Stacey and Jason on twitter @TVStaceyLevin and @GoTodash!)

 

by Stacey Levin

Ever sit around watching television and see a show that’s so bad, you shout out loud to no one in particular: “How the hell did this get on television!?”  Ahh, the wonders of “pilot season.”  Yes, there’s actually a name for the time when studios and networks decide what new series they’re going to make.  In fact, Hollywood is all a twitter right now because it’s in the midst of “pilot season” – that frantic time of year when the television executives pluck several scripts from the depths of development and make them into a single episode of a television series known as a pilot.  Once they’re all completed, the execs view them and decide which ones will be ordered to series and which ones will never see the light of day.  Being a television exec myself, I can say that there are often many times when a really good pilot doesn’t get a chance and we sit around and scratch our heads as to why.  Here’s an aside: I once worked on a pilot called “Babylon Fields” that was fantastic and to this day, I’m still mourning the decision not to pick it up to series.  You guys would have totally loved this show – it was about zombies who return to their lives as they left them when they died.  Not crazy 28 Days Later monster zombies – just dead people who didn’t understand why they’re back and how to live as zombies.   Am I right?  You would have so watched this show.

Memories of “Babylon Fields” makes me wish that execs would show the pilots to the public and let them decide which show they’d watch if it became a series.  I can’t even imagine how much money, time and effort that would save everyone involved.  And it might help keep some of the “crap” off television.  Well, someone at Top Cow was apparently reading my mind when they decided to create “Pilot Season” for comics – an ingenious plan to launch new comic titles as one-shots and let the fans vote on the winners which will then become new series titles.  They first launched the event in 2007 and received a great response from fans and new readers alike.  Since then, they’ve chosen the two top-voted titles each year to go to series.  Creators ranging from comic veterans to newbies have gotten a shot at the “Pilot Season” test, but this year Top Cow mixed it up a bit.  They paired two giants in the industry, writer Robert Kirkman and artist Marc Silvestri, to do five one-shots .

“Pilot Season” 2009/2010 consists of “Murderer,” “Demonic,” “Stealth,” “Stellar” and “Hardcore” with the latter being released next week. Continue reading »


 

By Stacey Levin

Girls – we’re all sugar and spice and everything nice, right?  Oh-my-God, we like boys and make-up and new hair products and fashion and… I, mean, like totally, right?  Fine, yes, all of those things are true, but so many of us are more than just stereotypes.  I pride myself on being one of those women.  Just because we enjoy a good date story or reading about a new tube of lip gloss doesn’t mean we don’t also like to read about solid characters in stories with high stakes and a little bit of violence every once in a while.  Come on, ladies, do I have a point?  So, why, oh why, do comic book publishers keep releasing titles that are narrowly marketed just to the stereotype?

A couple of recent titles caught my eye, but sadly, for all of the wrong reasons.  Take Marvel’s “Heart Breakers,” a compilation book of comic shorts about girls who… well, all I can really say is that they’re girls who like boys.  And yeah, that’s about it.  Oh, except for the fact that the cover is very pink.  Another freakin’ stereotype about girls is that we all love pink.  I, for one, do not.  Ok, so the first short is called “A Chemical Romance” which is about a day in the life of Peter Parker in school as he tries to manage dating girls and his studies.  In this story, he stumbles across two girls from his chemistry class who are sooooo stupid…. How stupid are they?  They’re sooooo stupid, they steal another girl’s chem notes which they don’t understand and literally create a blob monster which Peter must destroy to save the school.   And he does and then the story is over.  Really?  Yeah, really.  Another short is called “Super Boys,” a story about Tabitha “Boom Boom” Smith, a girl with incendiary super powers, and Elsa Bloodstone, a monster hunter.  We join them on a stakeout of sorts where they pass the time talking about all of the “Super Boys” they’ve dated.  Some of its cute, other parts are funny, but that’s it.  All they do for the majority of their eight pages is talk about dating, kissing and possibly having sex with boys – or should I say the male members of several monster and alien species who are effectively still just boys.  Actually, all of the stories in the book are about dating but that’s it – no substance, no context, no character.   Puh-leez, gimme a break.  Girls are, like, so much smarter than that. (Note: sarcasm intended.)

The next title I noticed was “Girl Comics No. 1” also by Marvel as part of their Women of Marvel limited series.  Sounds cool, right?  I thought so – the cover even features She Hulk beating Iron Man in arm wrestling.  Unlike “Heart Breakers,” “Girl Comics” doesn’t showcase women being just vapid or only fixated on boys although there is some of that in there.  But what’s disappointing about this compilation of short stories is that all of them simply touch upon something that could be a good layered story or feature a character we would want to read more about.  But for some reason, it’s as if the publishers don’t think girls will be interested in anything beyond a handful of pages that ultimately don’t really go anywhere.  For instance, a story called “A Brief Rendezvous” had a great start about an internet predator who’s chatting online with a person he assumes is a young girl, as they decide to meet for the first time.  But what he doesn’t know is the guy who’s posing as the girl is Frank “The Punisher” Castle and he’s being set up to head into a bad situation.  Awesome, right?  Except that’s it – four pages and out.  But, but, that’s cool and I want to see more… and it was done by all women… and it seems smart… and hello?  Is this thing on?

So where does this lead us?  Look, I’m all for dating in comics.  I’m all for really tough chicks occasionally acting like girly-girls.  Give me the high school-like drama of Batgirl and Red Robin in “Red Robin #10” or the relationship angst Wolverine is dealing with in “Wolverine Weapon X #9” – it’s funny, relatable and adds flavor to those series.  They’re also examples of how to do it right and since I’m a girl, I’m living proof I can follow a more complicated storyline that has dating involved in it.  But for the love of Wonder Woman, Ms. Marvel, Selina Kyle and the countless other women who have graced the pages of comic books, please don’t patronize your female audience!  Keep creating cool empowered female characters and tap into the next generation of an audience that longs to see more of them – on the pages as well as behind them.  And if you do, I like, will soooo totally promise to like read them and write about them.  Yah, no, like for realz.

 

*Update*

We decided to extend the voting for another week to gives those who haven’t had the opportunity yet a chance to vote. We’ve received a lot of responses through email and twitter, we just ask that you place your votes in the comment section below in order for us to better keep track of all the votes. So, all you slackers, get to voting and be sure to keep checking  back- the winners will be announced very soon!!

May we have the envelope, please…?

The Golden Globes, the Oscars, the Grammy’s, the Director’s Guild, the Writer’s Guild, the Producer’s Guild, ahhh!  The list goes on and on and on and… well, you get the point.  It’s definitely awards season; that time of year when there’s an awards show or ceremony for almost anything and everything in entertainment.  There’s even an awards show for things that suck.  Too bad there isn’t an award for the worst awards show…. hey, there’s an idea.  Well, we want to get in on this action by presenting the first Meltdown Comic Awards of 2009, or the MCA’s since every good awards show needs a nickname, and we need your votes to find the winners.  Since there’s no better authority in these categories than the people who actually read the comics themselves, we’re going to let you choose who will win.  The following categories were carefully selected by a painstakingly arduous process (we threw darts at a cork board), and the nominees were picked based off of Diamond Comic Distributors Top 100 Selling Books of 2009.  Take a peek at the following categories below, and like the saintly old knight warned Indy:

“You must choose, but choose wisely.”

Ladies and Gentlemen, welcome to the 2009 Meltdown Comic Awards (cue cheesy orchestra music!)  And the nominees are:
Continue reading »


 

May we have the envelope, please…?

The Golden Globes, the Oscars, the Grammy’s, the Director’s Guild, the Writer’s Guild, the Producer’s Guild, ahhh!  The list goes on and on and on and… well, you get the point.  It’s definitely awards season; that time of year when there’s an awards show or ceremony for almost anything and everything in entertainment.  There’s even an awards show for things that suck.  Too bad there isn’t an award for the worst awards show…. hey, there’s an idea.  Well, we want to get in on this action by presenting the first Meltdown Comic Awards of 2009, or the MCA’s since every good awards show needs a nickname, and we need your votes to find the winners.  Since there’s no better authority in these categories than the people who actually read the comics themselves, we’re going to let you choose who will win.  The following categories were carefully selected by a painstakingly arduous process (we threw darts at a cork board), and the nominees were picked based off of Diamond Comic Distributors Top 100 Selling Books of 2009.  Take a peek at the following categories below, and like the saintly old knight warned Indy:

“You must choose, but choose wisely.”

Ladies and Gentlemen, welcome to the 2009 Meltdown Comic Awards (cue cheesy orchestra music!)  And the nominees are:

1. Best Indie Series:

  • 1. KICK-ASS (Icon)
  • 2. SCOTT PILGRIM vs.THE UNIVERSE (Oni Press)
  • 3. CHEW (Image)

2. Best Series:

  • 1. BATWOMAN – Detective Comics (DC)
  • 2. INVINCIBLE IRON-MAN (Marvel)
  • 3. INCOGNITO (Icon)

3. Hero of the Year:

  • 1. BATWOMAN – Detective Comics (DC)
  • 2. GREEN LANTERN – Green Lantern: The Blackest Night (DC)
  • 3. SPIDERWOMAN – Spiderwoman (Marvel)

4. Villain of the Year:

  • 1. BLACK HAND (DC)
  • 2. NORMAN OSBORN (Marvel)
  • 3. NECRON (DC)

5. Most Horrific Death:

  1. BLOB – Head bitten off by Hank Pym – Ultimatum #3 (Marvel)
  2. HAWKGIRL – Impaled on a spear by Sue Dibny – Blackest Night #1 (DC)
  3. ARES – Head split in two with an axe by W.W. – Wonder Woman #31 (DC)

6. Best Return from the Dead:

  1. THE FLASH – Flash: The Rebirth (DC)
  2. SUPERBOY – Final Crisis: Legion of Three Worlds #4 (DC)
  3. CAPTAIN AMERICA – Captain America: Reborn (Marvel)

7. Best Cover:

  1. NOVA #22 – Cover by Juan Doe (Marvel)
  2. INCOGNITO #6 – Cover by Sean Phillips (Icon)
  3. SCALPED #30 – Cover by Mark “Jock” Simpson (Vertigo)

8. Best Spin Off Series:

  1. BATMAN & ROBIN – by Grant Morrison (DC)
  2. THE LITERALS – by Bill Willingham and Matt Sturges (Vertigo)
  3. DEADPOOL TEAM-UP – by Fred van Lente (Marvel)

9. Coolest New Costume:

  1. BATWOMAN – J. H. Williams III (DC)
  2. THE PLUTONIAN – Peter Krause (Boom)
  3. IRON PATRIOT – Mike Deodato (Marvel)

10. Best Graphic Novel:

  1. ASTERIOS POLYP – by David Mazzucchelli (Pantheon)
  2. THE LEAGUE OF EXTRAORDINARY GENTLEMEN 1910 – by Alan Moore (ABC)
  3. FABLES: THE DARK AGES – by Bill Willingham (Vertigo)

11. Best Writer:

  1. MARK WAID – Irredeemable (Boom)
  2. GEOFF JOHNS – The Blackest Night (DC)
  3. BRIAN K. VAUGHAN – Ex Machina (Vertigo)

12. Best Artist:

  1. JOHN ROMITA Jr. – Kick-Ass (Icon); Spiderman (Marvel)
  2. JOHN CASSADAY – Planetary (Wildstorm); Astonishing X-men (Marvel)
  3. STEVE McNIVEN – The Goon (Dark Horse)

13. Best Celebrity Made Title:

  1. KEVIN SMITH – Batman: Cacophony (DC)
  2. JOSS WHEDON – Buffy the Vampire Slayer: Season Eight (Dark Horse)
  3. GERARD WAY – The Umbrella Academy (Dark Horse)

14. Best Event of the Year:

  1. WORLD’S END (Vertigo/DC)
  2. DARK REIGN (Marvel)
  3. BLACKEST NIGHT (DC)

15. Best WTF Moment:

  1. HOUSE OF MYSTERY – The whole f’ing series (Vertigo)
  2. CAPTAIN AMERICA: REBORN – He was running around in four different titles before his actual resurrection!
  3. RED SHE-HULK – “’Nuff said” (Marvel)
  4. Write your own

To have your vote count, post your selections in our comment section following this column.  For example: #1.-1; #2.-3; #3.-1; etc. (Even though she’s not nominated, we wouldn’t be surprised if Taylor Swift winds up winning something.)  The votes will be added up and the winners announced next week.  So, put on your best suit or dress, roll out the red carpet and get ready to be our judges!  Oops, there’s the music, we have to hurry this up before I get cut –

Follow us on twitter: Jason -@GoTodash; Stacey – TVStaceyLevin

by: Stacey Levin & Jason Vaughn         

©2012 Meltdown, Inc. WP retouched by the hand of FD for Meltdown, Inc.