Rachel Abramowitz had a front-page story in the Los Angeles Times this week on the angst among Hollywood actors as they watch more major filmmakers embrace performance-capture techniques and animation approaches. Here’s a great follow-up as she talks to Steven Spielberg about the making of “Tintin.”
Steven Spielberg says there was only one reason to make his new “The Adventures of Tintin: The Secret of the Unicorn” with the cutting-edge performance-capture technology that James Cameron used on “Avatar.”
“It was based on my respect for the art of Hergé and wanting to get as close to that art as I could,” says the director, referring to Tintin’s author-illustrator, who created the international blockbuster graphic novel series (200 million copies in print) starring intrepid cub reporter Tintin, and his irrepressible canine companion, Snowy, as they venture through the pre-WWII world.
“Hergé wrote about fictional people in a real world, not in a fantasy universe,” Spielberg said. “It was the real universe he was working with, and he used National Geographic to research his adventure stories. It just seemed that live action would be too stylized for an audience to relate to. You’d have to have costumes that are a little outrageous when you see actors wearing them. The costumes seem to fit better when the medium chosen is a digital one.”
“Tintin” stars Jamie Bell (“King Kong”) as the title character, Andy Serkis (Gollum in the “Lord of the Rings” trilogy) as his buddy Captain Haddock, and Daniel Craig (Bond, James Bond) as the evil Red Rackham. Produced by Peter Jackson, with the animation done by Jackson’s Weta Workshop, the film is due in theaters in 2011.
Read the rest of the article over at Hero Complex and stop by Meltdown/Sunset Blvd. for Tintin books, toys, apparel and statues.
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