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Arkham Asylum
Superman: Earth One Vol. 2
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The Death of Superman
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Justice League Vol. 1
Before Watchmen Ozymandias Crimson Corsair
Batman The Dark Knight Strikes Again
Batman The Court of Owls Vol. 1
Blackest Night
Before Watchmen Nite Owl Dr Manhattan
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Daytripper Vol. 1
Infinite Crisis
Superman Secret Identity
Batman The Long Halloween
American Vampire Vol. 1
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Batman Dark Victory
Batman Inc. Vol. 1
V for Vendetta
Fables Vol. 1
Before Watchmen MinutemenSilk Spectre
All-Star Superman
The League of Extraordinary Gentlemen Vol. 1
Sandman Vol. 1
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Batman and Robin Vol. 1
Batman Year One
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Batman Knightfall
Superman Birthright
Feb 272013
 

The announcement back in October that Disney was acquiring LucasFilm for a paltry sum of $4 billion dollars was completely drowned out by a collective ‘geek-gasim’ heard around the world following their second surprise of the day. A new hope had sprung to life within us all when the studio dropped the bomb that they plan to continue on with the original “Star Wars” trilogy, starting with Episode VII in 2015. When I first heard that someone other than Lucas would have control of the reins over the project, I have to admit I thought it was some sort of sick twisted early Halloween ‘trick.’ Possibly perpetrated by a group like “Anonymous,” or those Chinese cyber hackers who keep messing with the D.O.J. When reality finally did set in, I (like many of you I’m sure) began to feel equal amounts of excitement and apprehension. I think we’re all still a little scarred and gun shy from the prequel atrocities, am I right? Does meeeza have to explainzza? (Yeah, that’s right. I went there.)

sw1

As an avid reader of comics, and Darkhorse’s “Star Wars” titles in particular, my biggest issue with the acquisition and the subsequent revamping of the extended universe is encapsulated in the dilemma of the following question: Does this mean that all the hard work of many gifted graphic artists and writers, who contributed to what was once considered cannon, now null and void? I’m going to have to table that discussion for the time being, definitely a soapbox for another day.

sw4Since the announcement, the internet rumor mill has been working harder than a ‘man-scaping’ wookie, and conjecture is the current name of the game. And speaking of names, the exclusivity for a director shuffled through anyone who has ever had any interest in sci-fi what-so-ever, or has looked through the correct end of a camera. Every movie site was batting around names like; Jon Favreau, to Guillermo del Toro, Christopher Nolan, David Yates, to Zack Snyder, Brad Bird, Mathew Vaughn, Joss Whedon, to the obvious candidate of Lucas’ bestest frenemy Steven Spielberg… you get the idea. Of course we now know that the resuscitator of the “Star Trek” franchise himself, J.J. Abrams (Hey J.J., why no call back for the sequel? I’m so not feeling the love.), is set to direct a script written by Oscar winner Michael Arndt (“Toy Story 3″/”Little Miss Sunshine”). That’s just the beginning though, with casting and major plot points still up in the air –  crazy kooks like Super Shadow are going to continue to litter the web with inaccurate or out-and-out false information leading up to the very first trailer of the film and beyond. So let’s see if we can sift through the endless barrage of “bantha poo-doo” speculation, and separate the Sith Myths from the Force Facts.

Continue reading »

Feb 242010
 

The Cinematheque de Tanger

is proud to present

a Master Class with participating New York artist, Kostas Seremetis

presenting his film “Trilogy”.

March 7th 2010 19:30

“TRILOGY”

2009 / 126 mins / by Kostas Seremetis

A moving visual and aural collage consisting of the Star Wars Trilogy,
artist Kostas Seremetis edited this 126 minute film, taking the right
third of Star Wars, the middle third of Empire Strikes Back and the
left third of Return of the Jedi, synchronizing them to dissonant
effect. Every frame is a study in Abstract Expressionist Pop art as
this moving collage of the most iconic films of our time moves to the
sounds of the three films playing simultaneously. Characters move in
and out of portions of the screen, ships and battles appear and
disappear melding into one part of the screen from another part while
the third portion of the screen portrays a crucial moment of discovery
in a character’s development.

This invitation-only screening will be preceded by an introduction by
the artist and followed by a discussion of the film.